Itmad-ud-Daulah Tomb

Itmad-ud daulah, one of the most beautiful of Mughal tombs,
stands across the river Yamuna from the Taj Mahal, nearly one and
a half kilometers up-stream. Belonging to the age of Jahangir, it
contains cenotaphs of Mirza Ghiyas and Asmat Begum, parents of
the powerful Mughal Empress Nurjahan queen of Jahangir, an
exceptional beauty and an astute administrator. Mirza Ghiyas had
left Persian in sheer penury in search of better prospects at the
Mughal court. He benefited much from the influence of his
daughter who he had once abandoned in the desert. Akbar offered
him a good rank and privileges. Jahangir made him his prime
minister with the title Itmad-ud-daulah (Pillar of the State).
Nurjahan's brother Asaf Khan later became prime minister of
Shahjahan. This Persian family formed at the Mughal court giving
the grand Mughals two most celebrated queens-Nurjahan and Mumtaz
Mahal (Lady of the Taj), daughter of Asaf Khan.
The tomb was built in the famed Char Bagh style that
Itmad-ud-Daulah had himself laid out six years before his death
1622. The monument is beautifully conceived in the white marble
with mosaic and lattice. The tomb is not a very large structure
as Taj Mahal with a height of only 21 m and a dome-roofed
octagonal minaret of 12 m each at each corner.
More than its style of architecture that is sometimes called as
flawed by the experts,
it is the inlay work or pietra dura on the walls of mausoleum
that makes it extremely attractive. Marble screens of geometric
latticework permit soft lighting of the inner chamber. On the
engraved walls of the chamber is the recurring theme of a wine
flask with snakes as handles. In the flanking chamber are many
other tombs of other family members.
The main chamber is richly decorated with mosaics and
semi-precious stones inlaid in the white marble. According to
some historians, the concept and skills of Pietra dura must have
been imported from European home of 16th century Florence to
India. Though there are some differences like Florentine pietra
dura is figurative whereas Indian version is essentially
decorative.